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Sandro Botticelli

      Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Domenico Ghirlandaio USA oil painting artist


Domenico Ghirlandaio
new2/Sandro Botticelli-994633.jpg
Painting ID::  26886
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  St jerome in his Study (c.1480)detached fresco. Florence,Ognissanti. (mk57)

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Domenico Ghirlandaio

      Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

Domenico Ghirlandaio Domenico Ghirlandaio USA oil painting artist


Domenico Ghirlandaio
new16/Domenico Ghirlandaio-239779.jpg
Painting ID::  41950
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  mk166 1491 Painting on wood 172x165cm Museum of the Louvre, Paris

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